burn Norton . How is m invoked or described at respective(a) points in the poesy ? Is in that location an interesting progression or change over in these references ? What lines strike you as especially particular(a) or cryptic ? What is their effect ? Singly or togetherIndeed , the record condemnation appears over and over again in Burnt Norton But the verbalizer has diverging s of time in the poem . At the beginning of the premier(prenominal) stanza , for example , he or she invoked time as an adversaryAll time is unredeemableWhat magnate prolong been is an abstractionRemaining a everlasting possibilityOnly in a world of speculationWhat might have been and what has beenPoint to unmatched end , which is always present (n . pagBut towards the run stanza of section V , the speaker finally realized the futility of la borious to make time stop in to maintain a cherished perspective quoDesire itself is movementNot in itself desirableLove is itself unmovingOnly the cause and end of movementRidiculous the hazardous sad timeStretching forward and after (n .
pagThe above-mentioned insight stem from the fact that ideals such(prenominal) as love and proneness were reach mainly because there were individuals who willingly abandoned convention in to pursue them . I myself initially found these lines to be shady - the speaker of a sudden changed his or her views on love and desire after torturing about their inevitable loss for the well-nigh part of the p oem . But these lines also had a whiz effec! t on me - they enlightened me on the real record of love and joy , as well as how they are truly attainedRead the first ten lines of section V , and meet them as mathematical commentary on poetry - and on this poem in particular . What is suggested here about the wideness of Words , after...If you postulate to get a full essay, golf club it on our website: BestEssayCheap.com
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